Visual art

BGSU arts events through March 1

From BGSI OFFICE OF MARKETING & COMMUNICATIONS Feb. 16—The Creative Writing Program’s Reading Series features graduate students Bridget Adams and Benji Katz. The reading will begin at 7:30 p.m. in Prout Chapel. Free Feb. 16—The Department of Theatre and Film’s production of “The Penelopiad” will open at 8 p.m. in the Eva Marie Saint Theatre at the Wolfe Center for the Arts. “The Penelopiad” is Margaret Atwood’s version of Homer’s “Odyssey” told through the voices of Penelope and her 12 hanged maids. Speaking from beyond the grave, Atwood’s characters explore this mythic tale of love, betrayal, responsibility and power. Additional performances are at 8 p.m. Feb. 16-18 and Feb. 23-25, with matinees at 2 p.m. on Feb. 18, 19 and 25. Advance tickets are $15 and can be purchased at the box office in the Wolfe Center, 419-372-8171 or online at www.bgsu.edu/arts. All seats the day of the performance are $20. (See story: http://bgindependentmedia.org/bgsus-the-penelopiad-shows-the-tragedy-on-the-ancient-greek-homefront/) Feb. 17—The Brown Bag Music Series will present a musical extravaganza in celebration of Black History Month. Students and faculty from the College of Musical Arts will perform starting at 11:45 a.m. at the Simpson Building, 1291 Conneaut Ave., Bowling Green. Free Feb. 17—The BGSU Wind Symphony will perform at 8 p.m. in Kobacker Hall of the Moore Musical Arts Center. Advance tickets are $7 and can be purchased at the Wolfe Center for the Arts box office, 419-372-8171 or online at www.bgsu.edu/arts. All seats are $10 the day of the performance. Feb. 18—The University and Concert Bands will perform at 8 p.m. in Kobacker Hall of the Moore Musical Arts Center. Advance tickets are $7 and can be purchased at the Wolfe Center for the Arts box office, 419-372-8171, or online at www.bgsu.edu/arts. All seats are $10 the day of the performance. Through Feb. 20—The annual Undergraduate Art and Design Exhibition will be on display in the Dorothy Uber Bryan and Willard Wankelman in the Fine Arts Center. Gallery hours are from 11 a.m.­-4 p.m. Tuesday through Saturday, 6-9 p.m. Thursdays and 1-4 p.m. Sundays. Free Feb. 21 – Tuesdays at the Gish continues with the 2001 film “Ralph Bunche: An American Odyssey,” directed by William Greaves. Narrated by Sidney Poitier, the film represents the first in-depth documentary on the life and legacy of this American legend. Dr. Ralph Johnson Bunche (1903-71) was a statesman, peace negotiator, leading intellectual, scholar and the first person of color to win the Nobel Peace Prize. He overcame poverty and racial prejudice to become Undersecretary General of the United Nations. His life offers a unique window on…


River House Arts opening two exhibits in two weeks

Submitted by RIVER HOUSE ARTS River House Arts and Contemporary Art Toledo will present “Heterogeneous: States of American,”opening Tonight (Feb. 16) with a reception from 6-9 p.m. at the gallery in the first floor of the Secor Building, 425 Jefferson Ave., Toledo. In this provocative and timely new exhibition of paintings and mixed media, three Toledo artists, Josh Byers, David Cuatla Cuatl, and Faith Goodman express the fractures and symmetry of millennial life. The show remains on exhibit through March 4. Riverhouse Arts is also opening the Sien Collective’s “Sweeping Close… and Now”  Friday, Feb. 22, at 6:30 p.m. in the Owens Community College’s Walter E Terhune Gallery. The Sien Collective is Meagan Shein of Ann Arbor and Siobhan Arnold of San Diego. The two artists use historic photographic processes of Cyanotype and the paper negative, as well as drawing, encaustic and hand sewing to investigate the properties of trees and our place in the contemporary world. It continues through March 22. Also continuing in the Gallery 6 of River House Arts are the paintings of Croatian artist Nevenka Arbanas. Created in the early 1990s during the Bosnian War and its aftermath, the works were sourced from a local collector and are priced to sell. The gallery on the sixth floor of the building. River House Arts is a full service gallery offering exhibitions of modern and contemporary artists. Hours are Tuesday through Friday, noon to 8 p.m. and by appointment.


Kehinde Wiley’s portraits bring people from the street to museum walls

By DAVID DUPONT BG Independent News Kehinde Wiley found his direction as a painter on a street in Harlem. He’d recently finished his graduate studies in art at Yale and had enrolled the Studio Museum of Harlem’s art residency program in 2001. At Yale he painted black males with extravagant hair styles. Thursday in a talk at the Toledo Museum of Art, he said that had completed his study “at the feet of the fathers,” and was in a crisis as to where to go next. There at his feet he found a piece of paper. A rap sheet. On it was the young man’s mug shot. Wiley said at that instant he thought: “This is a really cool portrait. I know that’s kind of screwed up. If you’re thinking like I think which is to use your life to tell a story about the world you live in, finding this piece of paper tells a story about the world we live in.” He turned the mug shot into a portrait, and that painting is now hanging in the Toledo Museum of Art’s exhibit Kehinde Wiley: A New Republic. The major retrospective of the Brooklyn-based artist’s career is now on exhibit through May 14. In the 15 years since finding that mugshot Wiley has achieved “super star status,” said Brian Kennedy, director of the Toledo Museum. That was evident by the standing-room-only crowd that gathered in the Peristyle on Thursday to hear the artist’s talk on his work. Wiley has achieved fame by both celebrating and challenging the notions of Western art. He has highlighted the lack of black bodies depicted in the paintings of museums such as the TMA. “That’s not right,” Kennedy said. Wiley has set about redressing that by setting young people of color who he meets on the streets and dance halls around the world and placing them within the context of Western classic art. So it is a black man wearing a bandana, sweat wristbands and camouflage who leads the army over the Alps, not Napoleon. Through Wiley’s work black bodies command their place on museum walls in monumental form dressed in the best urban fashion. Some of the women wear gowns designed by a top designer. All this came about because his mother sent Wiley and his twin brother to after-school art classes when they were 11. They lived in South Central Los Angeles and were coming of age in the late 1980s, the same time the Crips and the Bloods were emerging. “My mother put me through art…


BGSU arts events through Feb. 8

From BGSU MARKETING & COMMUNICATIONS Jan. 25 – The Faculty Artist Series presents pianist Robert Satterlee. He has appeared on the Dame Myra Hess Memorial Concerts in Chicago, San Francisco’s Old First Concert Series and the Schubert Club in St. Paul, Minn., among others. The recital will begin at 8 p.m. in Bryan Recital Hall of the Moore Musical Arts Center. Free Jan. 26 – The Creative Writing Program’s Reading Series features graduate students Sam Adams and Dan Gualtieri. They will present their work at 7:30 p.m. in Prout Chapel. Free Jan. 26 – BGSU’s Jazz Lab Band I will perform with guest artist and saxophonist, Loren Stillman. Stillman has received praise in such publications as The New York Times, Downbeat magazine, Jazziz, Jazz Times, and on National Public Radio,marking him as an innovative voice of modern jazz. His original recordings have received critical acclaim from The New York Times and four star recognition in BBC Jazz Review, Jazz Man magazine and Downbeat. The performance will begin at 8 p.m. in Kobacker Hall of the Moore Musical Arts Center. Tickets can be purchased from the BGSU Arts Box Office at 419-372-8171 or visit www.bgsu.edu/arts. Advance tickets are $7 for adults and $3 for students and children. All tickets the day of the performance are $10. Jan. 27 – Students in the BGSU dance program will present a concert at 8 p.m. in the Donnell Theatre of the Wolfe Center for the Arts. Tickets are $5 at the door. Jan. 27 – The College of Musical Arts Guest Artist Series features “Schubert, Songfulness and the Body,” a lecture/recital by pianist Arved Ashby, a professor of music at Ohio State University. Ashby focuses on 20th- and 21st-century art music within broader contexts of cultural history, critical theory, post-Marxist aesthetics, and media and communications. He is the editor of “Listening to Modernism: Intention, Meaning, and the Compositional Avant-garde” (Rochester, 2004) and author of “Absolute Music, Mechanical Reproduction.” In 1996, Ashby received the prestigious Alfred Einstein Award from the American Musicological Society. The lecture recital will begin at 2:30 p.m. in Bryan Recital Hall of the Moore Musical Arts Center. Free Jan. 27 – The Toledo Museum of Art and BGSU’s College of Musical Arts presents EAR | EYE Listening and Looking: Contemporary Music and Art. The performance and discussion series explores the relationship between contemporary music and art through music performances in response to specific works of art. The event will feature BGSU doctoral candidates and begin at 7 p.m. at the Toledo Museum of Art, 2445 Monroe…


Local readers pick their choice as best picture book (updated)

By DAVID DUPONT BG Independent News And the winner is… “What To Do With a Box” by Jane Yolen. That was the book selected about a dozen folks, kids through grandparents, who gathered to consider what should win the Caldecott Medal for the most distinguished picture book of 2016. The winner of the actual Caldecott Medal announced Monday morning at the American Library Association’s Midwinter Meeting is “Radiant Child: The Story of Young Artist Jean-Michel Basquiat” by Javaka Steptoe. Kathy East, retired children’s librarian at Wood County District Public Library, said Sunday during the Mock Caldecott Election that the real committee has already made its choice. The press release was being drafted, and first thing in the morning the winner of the medal and honor books will get a telephone call. East has been through this before. She served  on the committee in 1987 when Richard Egielski won for “Hey, Al” and chaired the committee in 1998 when Paul Zelinsky won for “Rapunzel.” The award goes to the illustrator. The committee that awards the prize can start with a field of as many as 500 books. By the time they gather in January that’s been whittled down to 100 or so. Then each of those books must get a simple majority to stay in contention. East said usually 30 make the final draw. From there the best books rise to the top. The eventual winner, she said, must have more than a simple majority. It must have a significant margin of victory. That requires a number of rounds of balloting. “You want to make sure everyone on the committee is able to go out and say ‘this is the most distinguished children’s book,’” East said. Not that there aren’t those who later who will later kvetch about the choice. “There’s conversation,” she said. The rewards for having the image of the Caldecott Medal affixed to the front of the book are significant. “The guarantee for the artist is the book will always stay in print.” Those gathered at the public library Sunday had a much abbreviated version of the selection process. Library staff had pulled 49 picture books published in 2016. They split into two groups, each looking at a random sample of half the books. Each group picked their four favorites from what they had. Then they cast ballots. “What To Do With a Box” and Terry Fan’s “The Night Gardener” were locked in a virtual tie. After another ballot, Yolen’s book was the clear winner. The book shows the wonders a simple box…


Kehinde Wiley’s urban take on Old Masters coming to Toledo Museum

From TOLEDO MUSEUM OF ART The Toledo Museum of Art presents Kehinde Wiley: A New Republic, an exhibition of 60 paintings and sculptures questioning ideas of race, gender and the politics of representation. On view Feb. 10-May 14, 2017, A New Republic spans Wiley’s 14-year career including his earliest explorations of the male figure, his unique take on Old Master portraiture and his later forays into sculpture and iconography. The exhibition is organized by the Brooklyn Museum. “The magnitude of this exhibition will impress even those familiar with Wiley’s work,” said Brian P. Kennedy, TMA director, president and CEO. “He has taken the grandeur of portrait painting and translated it with his portrayals of contemporary African American men and women. Wiley bridges the gap between traditional portraiture and our daily lives, and in doing so, he raises questions about identity and how we perceive ourselves and others.” Wiley’s signature portraits of everyday men and women riff on specific paintings by Old Masters, replacing the European aristocrats depicted in those paintings with contemporary black subjects, drawing attention to the absence of African Americans from historical and cultural narratives. “The Toledo Museum of Art is home to a wide array of singular masterpieces gathered together from across time and geographic regions,” said Halona Norton-Westbrook, TMA director of collections. “The museum’s strong collection of Old Master paintings offers a particularly compelling framework for the presentation of Kehinde Wiley: A New Republic. Playing with traditional conventions of European portraiture, Wiley examines symbols of power, wealth, status and identity in today’s world. Juxtaposing A New Republic with the Old Master portraits hung in TMA’s adjacent galleries provides context for Wiley’s work. Visitors will be encouraged to examine the paintings that inform his portraits through a new lens.” The subjects in Wiley’s paintings often wear sneakers, hoodies and baseball caps, and are set against contrasting ornate decorative backgrounds that evoke earlier eras and a range of cultures. Through the process of “street casting,” Wiley invites individuals, often strangers he encounters on the street, to sit for portraits. In this collaborative process, the model chooses a reproduction of a painting from a book and reenacts the pose of the painting’s figure. By inviting the subjects to select a work of art, Wiley gives them a measure of control over the way they’re portrayed. The exhibition includes a selection of Wiley’s World Stage paintings, begun in 2006, in which he takes his street casting process to other countries, widening the scope of his collaboration. Kehinde Wiley: A New Republic is organized by Eugenie…


Kim Young’s digital prints offer break from typical vacation images

By DAVID DUPONT BG Independent News Search the images of family vacation on the internet and you will be blinded by the sun and smiles. Quite the contrast to the gray of an Ohio winter. Digital artist Kim Young of Bowling Green has taken some of those images and altered their digital DNA to create fresh abstract images. Those images will be part of the exhibit Virtual Vacation at the Neon Heater Art Gallery in Findlay. The show includes Young ‘s digital prints and installations by video artists Laura Post and Richard Munaba. The show opens with a reception Thursday, Jan.5, from 5 to 8 p.m. and continues in the gallery on the second floor of the Jones Building,   400½ S. Main St. Findlay, through Jan. 13. Young’s digital prints depict inviting scenes of vacation sport including Disneyland, as viewers have never seen them before. She has subverted the scenes of beaches, mountains and Mickey Mouse by digging deep into their digital codes. Her prints provide a vacation as much from the clichéd images of vacation as from the Ohio winter. Young, who teaches in the Bowling Green State University School of Art, said: “I’m really interested with how computers and images, and humans and images, are interacting. There’s more images to interact with than at any point in human history, so people get kind of numb to the whole idea of images. I’m a visual artist. What does that mean to someone who makes digital images and wants people took at them? I don’t want my things to look like something people have seen a 100 million times before.” All those images that pop up on our various screens, are not really images, Young said. “They’re code.” So she started to dig into the code itself. The string of seemingly indecipherable numbers. She messed with it. Introduced glitches. She took colored pencils and wrote out the string of characters for JPG images. “I had never seen most of these characters. It was very meditative. It got me thinking about how computers recognize images compared to how humans do. I kind of nerded out on that.” For the work that will displayed in Virtual Vacation, she did searches for vacation photos. She took stock images, and then altered the code, but not so much that the computer didn’t still recognize the image. The result was abstract patterns, swirls of color, lines that look like they rise above the surface of the paper. Is that a shadow-like image of Mickey Mouse’s ears dominating the corner of…


Holiday week perfect time to feast on Toledo Museum’s treasures

By DAVID  DUPONT BG Independent News As the gaiety of Christmas Day fades, and we enter that phase of holiday denouement, the Toledo Museum of Art throws it doors open to welcome  visitors with a whole slate of activities leading up to New Year’s Day. Now that the gifts are unwrapped and the meals eaten, a visit to the museum is in order. It’s a great place to take out of town visitors, and share with them one of the treasures of Northwest Ohio. For those locals who have never visited, it’s a great time to acquaint them with this grand institution. The museum has a wonderful holiday feel, and it tends to attract enough people to give it a warm social buzz, without being hectic. There’s more to do than look. There’s a full schedule of activities from life drawing to game playing for all ages. (See http://bgindependentmedia.org/toledo-museum-offers-great-art-escape-over-holidays/) For the past few years, my wife and I have gone to the museum on New Year’s Day. Museums are just one of those spaces – along with baseball parks and libraries – where all I have to do is step inside and my spirits are lifted. That’s true whether it’s the first time I visit, or the Toledo Museum, a place that by now almost feels like home. I started going to museums when I was in college. I was a student at UMass in Amherst, but took lessons from a jazz trombonist at Berklee College of Music in Boston, a two-or-more-hour bus ride away. It seemed a shame just to go to the lesson and head home, so I’d go to the Museum of Fine Arts. I even had a student membership. It was convenient, only a few blocks from Berklee, and I could check my horn and satchel of music, which usually by that time also had a few newly purchased jazz albums. I’d spend a couple hours, just wandering the galleries, fixating on one or two at each visit. I’ve loved museums ever since. What’s the attraction? Museums plunge you into the texture of your times. Yes there are celebrations of kings and warriors, historic and mythological. There are also celebrations of common folks, who operate windmills, fight in wars, haul goods and grow food. And the paintings can evoke the particular weather of a day hundreds of years ago, and the rhythm of life—the dock workers at early morning, the harvesters at midday, the diners in the evening.   On repeat visits, these folks become like old friends, greeting you around…


Will Santino’s “Examples of Anything” is a love song of words & images

By DAVID DUPONT BG Independent News Will Kiley Santino’s new book “Examples of Anything” is easy to describe and impossible to define. The book is a progressive series of squares, each a small abstract painting with a word or phrase attached. And in that dynamic between words and images, the mystery begins. What is the relation between the lime and sky blue watercolor square and the phrase “how lawnmowers say hi”? And as the reader-viewer progresses, rhymes and echoes among squares reveal themselves, hinting at a narrative. Santino, a Bowling Green native now studying art at the University of Wisconsin Madison, will only say that there’s “a through line about intimacy and closeness to another person.” That plays out in an interior monologue of abstract illustration and elusive poetry. Santino said he wanted to create an experience that someone could take from beginning to end, or simply study a single page. The images are abstract smudges of mood. The words may be mundane – “swing set” and “bike trail.” Does the image represent the words? What kind of person would pair those words and colors? Other phrases are more evocative – “blaming autumn” and “cymbal shiver.” Others hint at narrative – “thrown out toys” and “the silence after everyone stops laughing.” Santino shows his love of language by using arcane terms that will have even highly literate readers reaching for the dictionary – heliotaxis (movement of an organism in response to sunlight); keraunomancy (divination by thunderbolts); and borborygmus (a rumbling or gurgling made by the movement of liquid in the intestines). And he’s not afraid to coin a term or two when his muse requires – “pregret” and “heartifact.” Part poetry, part painting, “Examples of Anything” is a lyrical reflection on life as it is being lived. The final words are: “All I want to say is something to you.” Then book ends with several pages of color fireworks. This is the 27-year-old’s second book. His first, from 2015 was a children’s book, “My Week,” about a boy’s adventures through his fantastic hometown, a place every much like Bowling Green. He builds a child’s fantastic world, full of fanciful creatures and places. Santino is a naturalist who explores fantastic worlds of his own creation. “My Week,” Santino said, showed him he could produce a book and self-publish it. He’s dreamed and worked at being a writer since he was a child. At 10, he said, he was always “starting stories and novels that were, in my head, 1,000 pages.” He wrote long passages of them….


Toledo Museum offers Great Art Escape over holidays

From TOLEDO MUSEUM OF ART The Great Art Escape, a week of free performances, art activities and after-hours flashlight tours, returns to the Toledo Museum of Art Dec. 27-Jan. 1. Sponsored in part by Taylor Cadillac, the week of special events has become a holiday tradition for bringing together family, friends and holiday guests. Explore the galleries with the debut of the Toledo Museum of Art’s new app. During the Great Art Escape visitors are invited to play a treasure hunt throughout the galleries. Three temporary exhibitions organized by the Museum’s curators are sure to delight visitors of all ages. Gabriel Dawe: Plexus no. 35, on view in the Great Gallery, is an ethereal indoor rainbow created especially for the space it occupies. Mexican-born artist Gabriel Dawe’s textile installations have been seen in galleries around the world, most recently as part of an exhibition at the Smithsonian’s Renwick Gallery in Washington, D.C. The installation in the Great Gallery is sponsored in part by the TMA Ambassadors, a group of volunteer fundraisers. The Libbey Dolls: Fashioning the Story in Gallery 18 features 78 fashion figures depicting French styles from 1493 to 1915. The Libbey Dolls, formerly known as the Doucet Dolls, were the product of the World War I aid effort. Purchased in 1917 by Toledo Museum of Art founder Edward Drummond Libbey, the dolls’ clothing was created by Jacques Doucet. Art by great French artists like Nicolas Lancret and Louis-Léopold Boilly, as well as drawings and engravings from late 19th-century fashion publications, inspired his creations. Shakespeare’s Characters: Playing the Part in Gallery 6 marks the 400-year anniversary of the great playwright’s death. The exhibition explores The Bard’s band of characters, from the comedic to the tragic. Approximately 30 paintings, prints, sculptures and photographs bring the beloved writer’s works to life. Here’s a list of other free activities planned during the Great Art Escape: Make a Puppet, Tell a Story! Dec. 27 and 29: 10 a.m. to 3 p.m., Family Center Dec. 30: 3:30-8 p.m., Family Center Make a puppet in the Family Center and perform your own improvisational theater with it in the Cloister Gallery. Ask Me Hours Dec. 27-30: 10 a.m. to 2 p.m., Main Museum Dec. 31-Jan. 1: Noon to 4 p.m., Main Museum Look for docents wearing a red “Ask Me” button as they travel the galleries answering questions and engaging visitors in discussion about the art on view. Glassblowing Demonstrations Dec. 27-Jan. 1: 1, 2 and 3 p.m., Hot Shop Dec. 30: 7 and 8 p.m., Hot Shop Watch works of…


Everyone gets into the act at Arts X

By DAVID DUPONT BG Independent News At Arts X a surprise awaits the visitor around every corner. An actress in a shimmering gown and dramatic blond wig, steps forward to sing “Let It Go.” One of the Living Statues in the lobby of the Wolfe Center, she’s been waiting her turn as other characters have stepped forward to offer a song or monologue. Look up and there’s a pair of eyes projected overhead. Big Sister is watching. As the audience settles for a performance in the Donnell Theatre, someone says she has just posed for a Vogue cover. Two comedians come careening down the hall on the second floor of the Wolfe Center, making a harried entrance into the Heskett dance studio. Do you know there’s an art exhibit, they exclaim. It’s part of the act; we’re all part of the act. There’s always something to see and hear and do at Arts X, and that means there’s always something to miss. There’s always someone new to meet, or an old friend to greet. With the end of the semester looming, and finals and holiday festivities just ahead, artists, performers, writers and their fans took time out to celebrate. Arts X drew hundreds to the Bowling Green State University School of Art and the Wolfe Center Saturday night. The annual event is part art fair, part music and theater festival, part holiday party. Arts X organizers have been tweaking its presentation since the start. This year the Bowling Green Philharmonia offered a prelude of holiday music in the Donnell before the hubbub officially ensued. The theme “Volanti: Seeking Unknown Heights” tied in with the featured guest artists Violet and Fortuna, storytelling acrobats. They performed two shows in the Donnell, sections from their work-in-progress, “Laces.” The piece combined a disembodied voice emerging from the dark to set the scene, a house in Toledo’s Old West End. The scenes introduced the audience to the home’s inhabitants. There was a very tall man, the original owner. There were stuffed toys left behind in a trunk. There was a lesbian couple who made the property bloom with plants and company. These stories were played out with circus arts – aerial work, acrobatics, clowning, tightrope walking. In the most dramatic instances the duo of Erin Garber-Pearson and Kathleen Livingston hung high above the Donnell stage, muscles taut, twisting in light and shadow. Auxwerks, a dance company from Ann Arbor, swept through – literally in one scene – offering impressionistic transitions between the scenes. Pop Culture Professor Montana Miller added a…


BGSU Lively Arts Calendar through Dec. 9

Dec. 1—The International Film Series concludes with the 1977 film “Neokanchennaia P’esa Dlia Mekhanicheskogo Pianino (An Unfinished Piece for Mechanical Piano),” directed by Nikita Mikhalkov. From Russia’s most well-known contemporary filmmaker, an intriguing story of former lovers who meet at a pre-revolutionary country estate. Casual conversations on social issues and the music of Liszt, Rachmaninoff and Donizetti supply background to a Chekhovian treatment of returning past love. The screening begins at 7:30 p.m. in the Gish Film Theater located in Hanna Hall. Free Dec. 1—Creative writing students in the bachelor of fine arts program will present their work. The reading begins at 7:30 p.m. in Prout Chapel. Free Dec. 1—World Percussion Night features multiple styles including performances by the Taiko, Afro-Caribbean and Gamelan ensembles. The concert begins at 8 p.m. in Kobacker Hall at the Moore Musical Arts Center. Tickets can be purchased from the BGSU Arts Box Office at 419-372-8171. Advance tickets are $7 for adults and $3 for students and children. All tickets the day of the concert are $10. Dec. 3— BG Philharmonia will perform a Holiday Concert to kick off the 12th annual ArtsX events. The performance will begin at 4 p.m. in the Thomas B. and Kathleen M. Donnell Theatre located in the Wolfe Center for the Arts. Free Dec. 3—The 12th annual ArtsX will take place from 5-9 p.m. in the Fine Arts Center and the Wolfe Center for the Arts, including the Dorothy Uber Bryan and Willard Wankelman galleries, where student and faculty artists and performers show off their talents to the community. The evening includes works from the College of Musical Arts, the School of Art, the Department of Theatre and Film, the Creative Writing Program, the Dance Program, and numerous other organizations, along with holiday shopping. Free Dec. 3—The Annual Faculty and Staff Exhibition opening reception will be held from 5-9 p.m. in the Dorothy Uber Bryan and Willard Wankelman galleries located in the Fine Arts Center as part of ArtsX events. Free Dec. 4-14—The Annual Faculty and Staff Exhibition will be on display in the Dorothy Uber Bryan and Willard Wankelman galleries in the Fine Arts Center. Gallery hours are from 11 a.m. to 4 p.m. Tuesday through Saturday, 6-9 p.m. Thursdays and 1-4 p.m. Sundays. Free Dec. 4— The University Choral Society performs Handel’s “Messiah” with the Toledo Symphony Orchestra in the Peristyle at the Toledo Museum of Art, 2445 Monroe St. in Toledo. The performance begins at 2 p.m. Call the Toledo Symphony Orchestra box office at 419-246-8000  for ticket information. Dec. 5—BGSU’s Wind…


Arts X reaching for new heights

By DAVID DUPONT BG Independent News Erin Garber-Pearson has performed several times at Arts X at Bowling Green State University. The former teacher in the School of Art feels right at home at the festival that brings all the arts on campus together. Her own work blends sculpture, video, storytelling and aerial acrobatics. That’s a perfect fit for Arts X with its mélange of art sales, exhibits, musical and theatrical performances, all colored by a certain level of tom foolery. When Garber-Pearson and Kathleen Livingston perform at Arts X as Violet and Fortuna on Saturday, Dec.3, the acrobatic storytellers will take the work to new heights. The work-in-progress “Laces” involves two solo and two duet pieces.  The duets require the performers to fly higher. Working as a solo aerialist is challenging enough but working together requires a heightened sense of communication and trust, Garber-Pearson said.  The duo has been working on the duets for three years. Arts X is “a good time to show” what they’ve been working on. The works fits right in to the theme of Arts X 2016:  “Volanti: Seeking Unknown Heights.” The event runs from 5 to 9 p.m. and is preceded at 4 p.m. by a holiday concert by the Bowling Green Philharmonia in Donnell Theatre in the Wolfe Center. Arts X is a free public event. Violet and Fortuna will perform two 20-minute shows, one at 7 p.m. and another at 8 p.m. in the Donnell Theatre. They will be joined by dancers from Auxwerks in Ann Arbor. Also BGSU faculty member Montana Miller will perform. According to the university, the former circus aerialist “will present a personal narrative of the truth behind the romantic image of flight based on her 25-year career as a professional aerial acrobat, from trapeze artist to high diver and now as a competitive, world record holding skydiver. She also will perform a piece to convey her journey through movement using aerial rings that she used to fly on 20 years ago.” Violet and Fortuna’s “Laces” tells the 100-year-old story of house in Toledo. Given Garber-Pearson’s work can’t fit it into one box, Arts X is ideal venue. “For me, it’s an opportunity to show my work to a diverse audience interested in the arts. I like it that it’s the whole campus… all the arts coming together for one event.” Garber-Pearson’s involvement in circus goes back to her graduate school days. She was introduced to them by her partner. She would create large kinetic sculptures that could be worn and set on fire. Then…


BGSU Lively Arts through Dec. 5

Nov. 29—Undergraduate and graduate piano students will perform at 7 p.m. at the Wood County District Public Library, 251 N. Main St., Bowling Green. Free Nov. 29—Percussion ensembles will perform at 8 p.m. in Kobacker Hall at the Moore Musical Arts Center. Free Nov. 30—The Early Music Ensemble will perform at 8 p.m. in Bryan Recital Hall of the Moore Musical Arts Center. Free Dec. 1—The International Film Series concludes with the 1977 film “Neokanchennaia P’esa Dlia Mekhanicheskogo Pianino (An Unfinished Piece for Mechanical Piano),” directed by Nikita Mikhalkov. From Russia’s most well-known contemporary filmmaker, an intriguing story of former lovers who meet at a pre-revolutionary country estate. Casual conversations on social issues and the music of Liszt, Rachmaninoff and Donizetti supply background to a Chekhovian treatment of returning past love. The screening begins at 7:30 p.m. in the Gish Film Theater located in Hanna Hall. Free Dec. 1—Creative writing students in the bachelor of fine arts program will present their work. The reading begins at 7:30 p.m. in Prout Chapel. Free Dec. 1—World Percussion Night features multiple styles including performances by the Taiko, Afro-Caribbean and Gamelan ensembles. The concert begins at 8 p.m. in Kobacker Hall at the Moore Musical Arts Center. Tickets can be purchased from the BGSU Arts Box Office at 419-372-8171. Advance tickets are $7 for adults and $3 for students and children. All tickets the day of the concert are $10. Dec. 3—Ensembles of the BGSU College of Musical Arts will perform a Holiday Concert as part of the 12th annual ArtsX events. The performance will begin at 4 p.m. in the Thomas B. and Kathleen M. Donnell Theatre located in the Wolfe Center for the Arts. Free Dec. 3—The 12th annual ArtsX will take place from 5-9 p.m. in the Fine Arts Center and the Wolfe Center for the Arts, including the Dorothy Uber Bryan and Willard Wankelman galleries, where student and faculty artists and performers show off their talents to the community. The evening includes works from the College of Musical Arts, the School of Art, the Department of Theatre and Film, the Creative Writing Program, the Dance Program, and numerous other organizations, along with holiday shopping. Free Dec. 3—The Annual Faculty and Staff Exhibition opening reception will be held from 5-9 p.m. in the Dorothy Uber Bryan and Willard Wankelman galleries located in the Fine Arts Center as part of ArtsX events. Free Dec. 4-14—The Annual Faculty and Staff Exhibition will be on display in the Dorothy Uber Bryan and Willard Wankelman galleries in the Fine Arts…


‘Sit&Tell’ uses graphic design, storytelling to unite communities

From BGSU OFFICE OF MARKETING & COMMUNICATIONS Jenn Stucker is inviting us to pull up a chair and listen to a story — 100 stories, and 100 chairs. Stucker, chair of the graphic design division in the Bowling Green State University School of Art, is the creator of “Sit&Tell,” a project in which graphic designers and artists created chair graphics related to stories told by residents of eight Toledo neighborhoods, preserved through audio recording. BGSU students and faculty were integral to the project, a collaborative effort among Stucker; AIGA Toledo, the Professional Association for Design; the Toledo Arts Commission and local manufacturer MTS Seating, which donated the chairs. The result is a cultural and artistic achievement that unites communities and allows members to learn about themselves and one another. Stucker said that in choosing a focus for the project, she was inspired by the “strong women” theme of 2016 World Storytelling Day. Some of the stories people tell are tales of notable events, others are remembrances of and memorials to strong women and their often difficult lives, others of the power of sisterhood. As storyteller Dora Lopez said simply, “Gracias, hermanas (Thank you, sisters),” for paving the way. The project captured some notable speakers, such as Doris Hedler, the oldest living Chinese woman in Toledo, Stucker said. “It’s a terrific example of graphic design in the service of both community engagement and outstanding student learning,” said Dr. Katerina Ruedi Ray, director of the BGSU School of Art. “Sit&Tell” has already garnered two prestigious awards. First was a Platinum award in the Creativity International Print and Packaging Design awards. Submissions came from 41 countries, and of the winning works only 3 percent received platinum. The project also won a Merit Award in the respected design publication HOWMagazine’s International Design Awards, a very competitive event. Now the community has the opportunity to buy a one-of-a-kind chair, during an online auction http://sitandtell.com/auction/ that closes Nov. 28. Proceeds will go to the Arts Commission for facilitating art programming for young people in the Toledo neighborhoods. Bids start at $50, or a buy-it-now price of $350, the retail price of the chairs. Several chairs have already sold. The public can view the collection at https://toledo.aiga.org/. “The chairs are so interesting, so beautiful and diverse,” Stucker said. Serving as “blank canvasses” for the 80 carefully selected artists (some created two chairs) were the 100 curved, chrome-legged birch chairs from MTS. “I chose them because of their clean, simple design and made them all the same to give a uniformity to the…