Arts Beat

Arts beat: VIVE! has right stuff in performance of orchestral masterpieces

Ed.  Note: This is the first is a series of commentary and observations on area arts events. This will supplement, not replace, the coverage BG Independent news already provides. By DAVID DUPONT BG Independent News Usually when Debussy’s “Prelude to the Afternoon of a Faun” or Stravinsky’s “Rite of Spring” are performed, the size of the orchestra approaches 100. On Sunday (Oct. 8) VIVE! Ensemble conducted by Maria Mercedes Diaz Garcia took on those early 20th Century masterworks with a dozen musicians on each. The performance in the Toledo Museum of Art’s Great Gallery, was stellar. What the pieces might have missed in orchestral heft they gained in translucent textures with subtleties of voicing ringing out through the ensemble. Diaz, a student in Bowling Green State University’s Doctorate in Contemporary Music program as are a number of the other musicians in the ensemble, shaped these pieces with clarity and a sure sense of form. As the “Rite” roared to a finish, two sets of timpani and a bass drum provided enough boom to drive the piece home. But the three percussionists on the “Rite” never overwhelmed the rest of the ensemble. Instead it was the audience that was overwhelmed and moved by the performance. A few more observations: * Both pieces open with signature solos, and Kenneth Cox on flute on “Prelude” and Joshua Hart on bassoon on “Rite” did justice to their solos. The smaller ensemble meant that all the solo parts stood in greater relief. The ensemble benefits from having such strong musicianship throughout its ranks. * The picturesque “Prelude” seemed perfect for an art museum, almost like…