Clazel

Glostik Willy to headline triple bill at Clazel, Nov, 30

Submitted by GLOSTIK WILLY Glostik Willy, a three-piece power trio from Indiana, will perform Thursday, Nov. 30, for a party at Clazel Entertainment, Bowling Green. Listeners are told to: “Expect heavy-hitting drums that will make you move and groove, with progressive thundering bass lines and guitar that sizzles and crackles all the way through your brain and explodes out into the galaxy. This is ‘Hippy Metal’ for those who like their jambands with a dose of head-banging and horn-checks!” Also on the bill will be  PeanutButter Williams and Get Right Band. The band was formed in early 2008 by Jameson “Jay Moe” Bradford (guitar), his brother Ralf Mowf (drums) and childhood best friend Buddha Aguilar (bass). At the time, they were already five year veterans of the Midwest music scene, having started their first band together at age 12.  Since then, Glostik Willy has grown to be a driving force in the National Jamband scene, bridging the gap between rock and jam and forming their own genre of music that can only be described as “Hippy Metal.. To date, Glostik Willy has logged more than 600 performances in more than 25 states and two countries. The band has hosted eight Midwest music and arts festivals, including their signature Willy Fest (headlined this past year by Molly Hatchet), and performed sets at over 70 festivals around the country. In Spring of 2017, the band completed their first National Tour playing 23 shows from Florida to Califiornia. “This band is a good…


Transient Canvas takes contemporary music to unexpected places

Transient Canvas should feel right at home when the contemporary music duo shows up in Bowling Green to play a show at the Clazel Monday, Nov. 20. Amy Advocat on bass clarinet and Matt Sharrock on marimba have played all manner of venues, including being featured on a series of concerts at microbreweries in their home-base Boston where brewers concocted a special beer to serve with the music. “One of the things we love about this group is so we’re so mobile,” Advocat said in a recent telephone interview. “We want to reach people in unexpected places.” Transient Canvas will perform at 8 p.m. Nov. 20 in a free Music at the Forefront concert presented by the MidAmerican Center for Contemporary Music at Bowling Green State University. On Sunday, Nov. 19 at 3 p.m., the duo will perform in the Toledo Museum of Art’s Great Gallery. Advocat said the programs for the two shows are tailored for the different venues. The museum concert will featured “a thoughtful program, more classically oriented.” On the program “Looking Forward, Looking Back,” the program notes state: “The composers featured … have created something new and fresh by evoking the past, acknowledging their influences without directly emulating them.” At the Clazel, Transient Canvas will turn up the volume, and play a set of electro-acoustic works, that draw on a range of influences including pop and acid rock. All the pieces on both programs have been written expressly for Transient Canvas. Advocat and Sharrock first got…


The music plays on at the Clazel

By DAVID DUPONT BG Independent News The new operators of the 91-year-old Clazel in downtown in Bowling Green are not looking to teach the old venue new tricks. This summer Darrin and Cierra Karcher, of Findlay, purchased the Clazel business from Ammar Mufleh, who retains ownership of the building and property. The vision for the venue spelled out by John Carroll, the general manager, follows along the lines of what Mufleh did from the time he purchased the old theater in mid-2008. He ran the club nights on Fridays and Saturdays until last December when he stopped them out of concern for the wear-and-tear on the theater and his staff. Now the late night lights and DJs are back. Carroll worked security and on other projects for the Clazel since 2011. “I have a lot of respect for the building and definitely want to make sure it’s taken care of.” The Karchers, Carroll said, who own several bars in Findlay and Upper Sandusky, were interested in branching out. This will be the first night club the couple will operate. The Clazel continues to be available for weddings, corporate meetings and parties, and fundraisers.  “The big one being Fire and Ice,” a February benefit for the American Red Cross, Carroll said. Working with A.L. Entertainment, the owners are also bringing back regular live music to the Clazel. Carroll said that the Columbus-based jam band ekoostik hookah was interested in hosting a holiday show at the venue. That show will be Friday,…


Bearthoven Set to Upend Musical Expectations at ClaZel Show

By DAVID DUPONT BG Independent News Bearthoven is not what it seems. First of all, there are no bears. Second, though the name evokes that of a classical composer immortalized in busts that decorate piano teachers’ studios, the trio is not dedicated to playing centuries-old, or even decades-old, music. Third, though the instrumentation, piano, bass and percussion, may call to mind the classic jazz piano trio, this is not a jazz group. The pianist allows he’s not much of a jazz player. Bearthoven is a trio ready to upend expectations, even those it sets for itself. The Brooklyn based trio of Karl Larson, piano, Pat Swoboda, bass, and Matt Evans, percussion, will perform a “Music at the Forefront” concert Monday at 8 p.m. at the ClaZel in downtown Bowling Green. The free concert is sponsored by the MidAmerican Center for Contemporary Music at Bowling Green State University. “Our music is a weird split between very loud and very soft. We have this strange dichotomy of pieces,” Larson said in a recent telephone interview. Some work is akin to rock ‘n’ roll. Other pieces are minimalist, even ethereal. Larson, who received his doctorate in contemporary music from BGSU in 2012, said the members all met through the Bang On A Can Summer Institute in North Adams, Massachusetts. Though they played in different ensembles together, the trio itself first performed in December, 2013. All three live on the same corner in Brooklyn, New York. “We knew we wanted to do this thing, and…


BGSU Lively Arts Calendar, Feb. 24 – Mar. 9

Feb. 24—The College of Musical Arts presents its Faculty Scholar Series at 8 p.m. in the Bryan Recital Hall of Moore Musical Arts Center. Dr. Eftychia Papanikolaou, associate professor of musicology, will present “What Did the Ballerina Hear? The Unheard Music of Degas’s Paintings.” Dr. Ryan Ebright, a visiting instructor of musicology, will present “Operative Entrepreneurship and Iconoclasm in Steve Reich’s ‘The Cave.’” Free Feb. 25—The International Film Series continues with “La teta asustada” (The Milk of Sorrow)(2009) at the Gish Theater and Gallery. Director Claudia Llosa focuses on a grim period of South American history, 1980-2000, which left 70,000 people dead. The screening begins at 7:30 p.m. Free Feb. 26—BGSU’s Opera Theatre performs Pietro Mascagni’s “Cavalleria Rusticana.” The show begins at 8 p.m. in the Thomas B. and Kathleen M. Donnell Theatre in the Wolfe Center for the Arts. An additional performance will be on February 28 at 3 p.m. Advance tickets are $5 for students and children and $15 for adults. All tickets are $20 on the day of the performance. Feb. 27—The Rhythm Project presents a tap dance concert featuring dance majors, minors and alumni from BGSU and children from The Beat Dance Company. Performances are at 1 p.m. and 7 p.m., 222 Eppler North. Tickets, $5 at the door, are available one hour prior to show time. Contact Colleen Murphy at cmurphy@bgsu.edu for additional information. Feb. 29—The College of Musical Arts presents Music at the Forefront: “Bearthoven.” The performance will be at the Clazel Theater located…


Owner Wants to Keep ClaZel in the Heart of BG

By DAVID DUPONT BG Independent News The old gal can’t keep up with those late nights the way she once could, which is the situation the ClaZel now finds itself in. As someone who considers himself the beloved venue’s caretaker as much as its owner, Ammar Mufleh decided late last year that the late night dance parties had to stop. The late night dance club that was in the venue on weekends ended last December. The venue now concentrates on special events – wedding receptions, corporate meetings, fundraisers, and concerts. “College students put a little more wear and tear on a facility,” Mufleh said. “I take a lot of pride in the time, talent, and treasure it took to rebuild and renovate it.” It wasn’t only the theater that was strained. “I have a very talented staff,” he said, and their energies would be sapped on Friday nights when at 2:30 a.m. they’d have to scrub, do some repairs, and transform the space into the setting for a wedding reception on Saturday. After the reception, the staff would be back at it, transforming the ClaZel again into dance club for that night. The new focus will be “less taxing on the staff,” Mufleh said. “I’m excited to focus on a demographic that really appreciates the allure, the aesthetic the history of the theater,” he said. Mufleh, who grew up in a family of entrepreneurs in the Toledo area, can count himself in that demographic. As a student at the University of…


Cosmic sounds of ‘Surface Image’ transform ClaZel

By DAVID DUPONT BG Independent News Pianist Vicky Chow and composer Tristan Perich lifted the roof off the ClaZel Monday night. Together with an ensemble 40 loudspeakers emitting digital signals, they transformed the movie house turned nightclub into cosmic atmosphere, a vision of deep space. And what were those sounds coming from the loudspeakers? Cosmic peepers? Chow performed Perich’s “Surface Image” as part of the Music at the Forefront Series, sponsored by the MidAmerican Center for Contemporary Music at Bowling Green State University. The expansive piece unfolds then folds back onto itself over more than an hour. Chow articulates layers of simple figures, the musical equivalent of haiku, while buzzes, bleeps, clicks provide a counterpoint. Those lines of the counterpoint never meet. The pianist is showered by signals that demand translation; the piano expresses a longing to translate. Yet the electronics remain on another plane, emanating from deep space, heard in a darkened room. Still a mystery. The effect is at once something grand and marvelous, but also lonesome. Chow’s performance was at once virtuosic in its relentlessness. Yet remains intimate and meditative. The music flirts with monotony, and with its subdued colors actually would work well in the background, a suitable soundtrack for that state between wakefulness and sleep. Yet its profundity demands concentration as the figures shift, rise in volume, fade. A simple figure will assert itself in the middle, dropping at odd places over the steady pulse that undergirds the piece. Usually concerts at the ClaZel have…


Clazel will be buzzing with new piano concerto Monday

The Clazel in downtown Bowling Green is not the place you’d expect to hear a piano concerto. On Monday night at 8, though, pianist Vicky Chow will perform a recently minted concerto. Instead of strings and winds, Chow will be flanked by banks of small loudspeakers. Her performance of Tristan Perich’s “Surface Image” for piano and 40 channel 1-bit electronics is part of the Bowling Green State University MidAmerican Center for Contemporary Music’s Music at the Forefront series. Chow gave the premier performance of “Surface Image” in February, 2013 in Brooklyn, New York. When it was released on New Amsterdam records the following year, it landed a multiple best-of-the-year lists. According to the label’s website: “Chow’s dynamic performance is swept up in a sublime flurry of dazzling 1-bit sounds, simultaneously entangling and unraveling over the hour long journey. The line between electric and organic is artistically blurred, as the simple hand-wired electronics fuse with the individual notes of the piano on the same, expansive plane.” A native of Vancouver, Canada, Chow was invited at 9 to perform at the International Gilmore Music Keyboard Festival and the next year performed with the Vancouver Symphony Orchestra. She has made a name as a performer of contemporary works giving the premier performances and recording works by Steve Reich, Michael Gordon, John Zorn and others. She is the pianist with the Bang on a Can All Stars, Grand Band, New Music Detroit and The Virgil Moorefield Pocket Orchestra. On Sunday at 3 p.m., Chow…