Music

Indian Opinion, a harmonic convergence of musical friends

By DAVID DUPONT BG Independent News The band Indian Opinion is all about harmony. The jazz-influenced ensemble jams over the chords of its original songs. What really holds the band together though is the harmony of friendship. Since its creation in 2015, Indian Opinion has been a staple of the local music scene with gigs at Grumpy Dave’s and especially at Howard’s Club H. “That’s our home court,” said Benji Katz, bass player, vocalist and songwriter in the group. Indian Opinion also includes Mark Dylan, guitar and vocals, JP Stebal, drums, and Connor Mancini, trumpet. They’ll be back at Howard’s for the Saturday, March 25, Battle of the Bands. They have set of songs available for download online featuring a set earlier this year from the club. (https://indianopinion.bandcamp.com/album/live-at-howards-121016-2) Now the band is in the process of producing its first full studio album. The band is deeply rooted in the local scene, bridging the campus with the community. It traces its roots back to 2015 when Connor and Stebal started jamming at Stebal’s house. They knew each other as fellow music students, including singing in the Vocal Jazz Ensemble. Dylan knew Katz from living on the dorms and brought him in. “It was just a network of friends, mostly from the college of music,” Dylan said. The band originally had a saxophonist Hiroki Kato and a percussionist Billy Gruber. Even as the band has settled into its four-piece configuration, the members are still a welcoming crew inviting musicians to join them on gigs and bringing Gruber and saxophonist Garrett Tanner into the studio for the forthcoming session. Abigail Cloud, one of Katz’ mentors in the creative writing program, also joins the band as she did on the live at Howard’s session. “It’s a communal thing,” Mancini said. They welcome other musicians to jam with them on the stand, even when playing an out of town show. That’s true to the band’s jazz roots. “Jazz music connected us as a band, and the idea improvised music and jamming,” Dylan said, “ “It happened pretty organically,” Katz said. “We all have a distinct voice, and that’s allowed to shine through in all our playing. When you’re improvising your personality is going to bleed into the music.” Each brings their own musical biography to the band’s sonic palette. Katz comes from Cincinnati. At 12 he wanted to a start a band with his friends,…


Small ensembles shine in big way in Wayland Chamber Music Competition

By DAVID DUPONT BG Independent News In a serious competition among groups of some of the best musicians in the College of Musical Arts, what set the winners apart is they seemed to be having fun. The Douglas Wayland Chamber Music Competition was held this weekend in the Moore Musical Arts Center on the Bowling Green State University campus. Lydia Qiu, a pianist from the University Michigan, was one of three judges on the panel for the finals held Sunday. “These two groups really enjoyed playing together,” she said of the Epsilon Quartet, the undergraduate winners, and Pitnix, a trio that won the graduate division. Pitnix was a repeat winner. Two of the members of the trio – Samantha Tartamella, flute, and Stephen Dubetz, clarinet – were in the ensemble when it won the undergraduate division. This year with another pianist, Emily Morin, they had to compete in the graduate division because Morin is a graduate student. Still the result was the same. Dubetz also won the undergraduate division in December’s Competitions in Musical Performance. The Epsilon Quartet, a saxophone foursome of Jacob Braslawsce, soprano, Nicole Grimone, alto, Tess Marjanovic, tenor, and Andrew Hosler, baritone, is the newest in a line of saxophone quartets to do well in the event. At least one saxophone quartet has been among the winners in all but one competition since its start in 2007. Second place in the graduate division went to Landlocked Percussion – Henrique Batista, Scott Charvet, Nicholas Fox, and Felix Reyes. Second place in the undergraduate went to the Derevo Quintet – Thomas Morris, oboe, Hayden Giesseman, clarinet, Brianna Buck, saxophone, Jack Smolenski, bassoon, and Anton Skojac, bass clarinet. The ensemble was pulled together by Morris, who was inspired by a quintet with this unusual instrumentation that he heard on YouTube. Buck, who was in a second place saxophone quartet last year, said she was intrigued by the chance to play in a woodwind ensemble. Playing with students from different studios gives a musician a chance to learn the qualities of each of the other instruments, and how best to complement them. The Wayland Competition is training for real life, she said. The ensembles must work together to perfect the music and then present it, she said. That chance to perform is one of the attractions for Buck. “You don’t often get the chance to perform when you’re an undergraduate,” she…


Scholar helps guide BGSU musicians toward Holy Week presentations of St. John Passion

By DAVID DUPONT BG Independent News Mark Munson has been waiting for the academic and liturgical calendars to align. The director of choral studies at Bowling Green State University wanted a year when Good Friday fell late enough in the semester to allow time to prepare and present J.S. Bach’s St. John Passion on Good Friday. This is the year, and this past week the singers and musicians started the final phase of preparation. The passion oratorio, originally presented on Good Friday, 1724, is a large undertaking that involves soloists, the University Choral Ensemble, and the Early Music Ensemble, directed by Arne Spohr. To help this large contingent of students, faculty and community members prepare, a leading scholar and tenor Christopher Cock, of the Bach Institute at Valparaiso University in Indiana, visited campus. In the passion, Bach relates the story of Jesus’ trial and execution using the text from the Gospel of John, with reflections by soloists and the choir. Cock has sung the role of the evangelist in the St. John Passion 50 times as well as conducted it on several other occasions. His choir has been in residence at St. Thomas in Leipzig where the piece was first presented, a rare honor for an American choir. He was at BGSU as the Helen McMaster Endowed Professor in Vocal and Choral Studies. For many of the students involved this will their first time playing it. “I’m getting chills just thinking about you’re experiencing this work for the first time,” he told them. Cock spoke about how Bach brought the theology to life in the music. “The debasement of being nailed to the cross,” he said, “was the only way Jesus could realize his full divinity.” That comes through in the instrumental introduction. The winds play a series of notes that overlap to create a dissonance “like a nail piercing a skin.” Cock said. The strings are restless, rustling, unsettled. The lower strings relentlessly lead the way to the choir’s entrance. This music may indeed have gotten Bach into trouble, Cock noted both at the rehearsal and at a talk the next day. Bach wrote the Passion in 1724, the first year of his employment at St. Thomas. He presented it again the next year, the scholar said, an unusual move. This time that distinctive opening had given way to a more soothing introduction. Cock said no one knows why,…


BGSU arts events through March 29

From BGSU OFFICE OF MARKETING & COMMUNICATIONS March 16 – The Creative Writing Program’s Reading Series features visiting writer Dustin M. Hoffman. Author of the story collection “One-Hundred-Knuckled Fist” and winner of the 2015 Prairie Schooner Book Prize, Hoffman earned his MFA in fiction from BGSU.  The reading will begin at 7:30 p.m. in Prout Chapel. Free March 17 – The Brown Bag Music Series continues with Opera! The performance will begin at 11:45 a.m. in the Simpson Building, 1291 Conneaut Ave., Bowling Green. Free March 17 – Elsewhere productions continue with “Jimmy and Sally.” The show will begin at 8 p.m. in the Eva Marie Saint Theatre located in the Wolfe Center for the Arts. Additional performances will be at 8 p.m. on March 18 and 19. Free March 18 – The ARTalk series presents “Where Next: The Future of Art.” Prominent artists and scholars will discuss the future of art in work, education and careers. Featured speakers include Cynthia Crow, program officer for the Fulbright Scholar Program in New York; Regin Igloria, multidisciplinary artist and arts administrator in Chicago, and John Jennings, graphic designer and associate professor at the University of Buffalo. The ARTalk will begin at 4 p.m. in room 204 of the Fine Arts Center. Free March 18 – The opening reception for the BFA Senior Thesis Exhibition will begin at 7 p.m. in the Bryan and Wankelman Galleries located in the Fine Arts Center. Free Through March 31 – The BFA Senior Thesis Exhibition will be on display in the Bryan and Wankelman Galleries, located in the Fine Arts Center. Gallery hours are 11 a.m. to 4 p.m. Tuesday through Saturday, 6-9 p.m. Thursdays and 1-4 p.m.Sundays. Free March 19 – The 10th annual Douglas Wayland Chamber Music Competition concludes with the Student Chamber Competition Finals. The finalists will perform at 3 p.m. in Bryan Recital Hall of the Moore Musical Arts Center. Free March 21 – Tuesdays at the Gish presents the 2002 film “Far From Heaven,” directed by Todd Haynes. Julianne Moore is the perfect wife, Dennis Quaid is her husband, and Dennis Haysbert her gardener. The score by Elmer Bernstein, cinematography by Edward Lachman, and design by Mark Friedberg recreate the feel of Douglas Sirk’s melodramas; Haynes’ script updates the critique to include a look at normative views of race and sexuality. The screening will begin at 7:30 p.m. in the Gish…


Optimal Aging Institute offers Ukulele for Beginners class

From OPTIMAL AGING INSTITUTE Bowling Green State University’s Optimal Aging Institute will offer a two-session Ukulele for Beginners class, co-sponsored by Bowling Green Parks and Recreation. The program will take place on March 22 and 29 from 10:30 a.m. until noon at the Simpson Garden Community Center at 1291 Conneaut Ave. Learn how to strum, play a few chords, and sing familiar songs, all in a fun and relaxing environment with Lisa Gruenhagen, Ph.D. Dr. Gruenhagen is an associate professor of music education at BGSU. While studying flute and music education at Eastman School of Music, she became involved with the New Horizons International Music Association, which provides entry points to music making for adults that are age 50 and over. Gruenhagen has been playing the ukulele for approximately five years and has taught people of all ages. Along with other basics she will be teaching how to hold and tune the ukulele as well as how to balance playing within the group regardless of experience level. “Music makes you think. Music is thinking in sound. You are thinking about fingerings, chords, playing in tune, and balancing your sound with others. While playing ukulele, you are strumming to the pulse and might also be singing, coordinating all of these things at once. Actively making music strengthens muscles and can help build memory,” Gruenhagen says. The purpose of this program is to learn new musical skills as well as have fun. Ukulele is relatively easy to learn, only one or two fingers are required for some chords, and it is small and lightweight, according to Gruenhagen. Learning an instrument later in life also has its benefits. “There is community and a feeling of accomplishment. Taking a class or participating in an ensemble allows people to be a part of something,” Gruenhagen adds. Aging can limit social interaction and being part of a community is important, especially later in life. Music programs such as this provide time for adults to socialize and build friendships. Active music making can contribute to stronger physical and mental health while challenging the brain to think creatively, per Gruenhagen.


Bach expert to help prep BGSU musicians for Passion

From BGSU OFFICE OF MARKETING & COMMUNICATIONS Renowned Bach expert and premier lyric tenor Dr. Christopher M. Cock will share his knowledge and love of the composer with students in the College of Musical Arts and local audiences March 13-15 as the 2017 Helen McMaster Endowed Professor in Vocal and Choral Studies at Bowling Green State University. Cock holds the Phyllis and Richard Duesenberg Chair in Lutheran Music at Valparaiso University and is director of its Bach Institute. During his residency, he will give a public lecture and work with the BGSU Collegiate Chorale, voice and conducting students and the Early Music Ensemble as they prepare to perform Bach’s “St. John Passion” in April during the Easter season. All events and activities are free and open to the public. Cock will discuss his life’s work in a public presentation titled “J.S. Bach and the St. John Passion: A Lifelong Pursuit” at 10:30 a.m. March 14 in 1040 Moore Musical Arts Center. In addition, audiences may hear the ensembles in performance, beginning with the Early Music Ensemble with soloists at 8 p.m. March 13 in the First United Methodist Church, 1526 E. Wooster St. in Bowling Green. On March 14, he will lead the University Choral Society at 7:30 p.m. in 1040 Moore Musical Arts Center. On March 15, he will again lead the Early Music Ensemble with soloists, at 8 p.m. in the First United Methodist Church. His visit will also include a voice master class and work with undergraduate choral conducting students. Through his activities as a choral music educator and distinguished solo artist, Cock has forged a unique career path combining the roles of conductor and performer. He frequently brings his focus on outstanding repertoire, vocal technique and polished musicality to high school ensembles throughout the country. He has also conducted All-State Choirs in Minnesota, Georgia and Ohio and the Collegiate Honor Choir in Pennsylvania. He has appeared at Carnegie Hall as guest conductor of the New England Symphonic Ensemble. In 2004, he founded the Bach Institute at Valparaiso University. The institute performs the major works of Bach triennially and, in the years since its formation, has devoted scholarship and performances to studying Bach’s professional years prior to his appointment in Leipzig (1723). Cock’s leadership of the Valparaiso University Chorale has led to numerous recordings and extensive concert tours in the United States and Europe. The chorale has served four performance…


TJO to beat the drums in memory of Roger Schupp

The Toledo Jazz Orchestra will bring on the drummers to pay tribute to one of their own. The big band will present Drums and Drummers, a concert dedicated to Roger Schupp, the long-time TJO drummer who died in December, 2015, Saturday, March 11, at 8 p.m. at the Valentine Theatre in Toledo. Tickets are $25 and $35 from the Valentine box office at 419-242-2787 or order online at valentinetheatre.com. Ron Kischuk said that the TJO wanted to wait to plan its tribute to Schupp until after Bowling Green State University, where Schupp was a percussion professor, did their tribute concert. Kischuk said he’d encountered Schupp over the years, but the two first worked regularly when Kischuk became leader of the jazz orchestra after it re-formed seven years ago. He liked working with Schupp so much, he brought him to Detroit to record with his own groups. “What made Roger such a special player was his never ending appetite for becoming better at what he did,” Kischuk said. “He had such a joy to learn about all types of music and to excel at all types of music.”   Schupp performed at such “a high level all the time it almost became something sadly that’s taken for granted.” Given that Schupp so enjoyed the camaraderie of other drummers the theme seemed appropriate. The concert will feature three drummers during the concert. Tommy Igoe leads large ensembles on two coasts, the Birdland Big Band in New York City and the Tommy Igoe Groove Conspiracy in San Francisco. He’s also author of top drum instructional books. That dedication to both teaching and performance is fitting for someone paying tribute to Schupp, Kischuk said. Jerry McKenzie, who did two stints as the drummer with the Stan Kenton Orchestra, will also perform on three Kenton-related numbers. McKenzie knew Schupp from a previous performance at a Kenton-themed TJO concert. McKenzie said the two bonded musically when he played drum set and Schupp played utility percussion – timpani, congas and more. McKenzie admired Schupp’s ability to be an all-around percussionist. “And his big band prowess was excellent.” He recalled how on one number on which he soloed. “Roger would keep the time, and I could play around that. It just gave me more freedom to expand my solo.” Then, he told Schupp, “to beat those timpani to death because I was on a search and destroy mission…


Music rings out up & down BG’s Main Street

By DAVID DUPONT BG Independent News Music brought people together in downtown Bowling Green Friday night. On South Main Street more than 100 people gathered at Grounds for Thought for “Singing for Our Lives: Empowering the People through Song” a protest song singalong led by three of the four members of the Grande Royale Ukulelists of the Black Swamp. A couple blocks north more than 100 people celebrated the ageless power of rock ‘n’ roll with The Welders, who for more than 30 years have been staging a spring break show at Howard’s Club H. Mary Jane Saunders, co-pastor of the First Presbyterian Church, opened “Singing for Our Lives” at Grounds by explaining her rationale for suggesting the event. Many are feeling stressed and uncomfortable in the current political climate, she said. That’s been expressed in several rallies, most held in the green space next to the Presbyterian Church.             The sing-along of classic songs was offered as an occasion “to have fun together” while not forgetting the cause that has united so many in the community. “Music has the power to empower and to energize us,” she said. Pop music historian Ken Bielen gave a brief introduction to protest music, much of it by simply quoting memorable lines. He recalled that it was gospel singer Mahalia Jackson who urged Martin Luther King Jr. to deliver his “I Have a Dream” speech. “When people get together in the right combination, history is made.” He then recalled Country Joe McDonald’s admonition to the throngs at Woodstock singing along to “I Feel Like I’m Fixin’ to Die Rag.” “I don’t know how you expect the stop the war when you can’t sing any better than that.” And at first the singing at the Grounds event was, let’s say,  dutiful. But humor, another unifier, helped pull everyone in. After singing the Holly Near song that gave the event its title, Jason Wells-Jensen joked about the setting of the microphone, saying all short people were the same height to him. At which point bandmate Anne Kidder, started singing “we are tall and short, together” with the audience spontaneously picking up the tune and continuing even after Kidder had stopped singing. From then on, the singing grew more enthusiastic, even as some of the lyrics were tough on the tongue or the music was in 5/4 time and the audience…


Contemporary music is at center stage at BGSU

By DAVID DUPONT BG Independent News When the New Music Gathering arrives at Bowling Green State University next May 11-13, it will be further confirmation that the College of Musical Arts has become a Midwestern center of contemporary music. That reputation is grounded in the New Music Festival, which started in 1980 and staged every October. The university is also one of only two that offers a doctorate with a specialty in contemporary music. That gives it a foothold with the younger generation of performers, composers and impresarios A series of performances by visiting and resident performers in the past week has demonstrated the extent to which contemporary music has been infused into the culture of the College of Musical Arts. A series of in-house concerts this week further elaborates on the theme. This activity testifies to contemporary music’s place at center stage at BGSU. The opening act for this un-festival was the biggest name, Roomful of Teeth. The voice ensemble arrived Wednesday as the guest artist for the Dorothy E. and DuWayne H. Hansen series. The ensemble has won a Grammy, and its signature piece “Partita for 8 Voices,” composed by one of its members Caroline Shaw, won a Pulitzer. The ensemble was the epitome how the Hansens envisioned for the series. They want to bring inspirational artists to campus to share their skills and artistic philosophies with students and the broader community. The ensemble worked with students on campus and made an appearance at Bowling Green High School, sharing the joy and immediacy of new music wherever they went. At a master class for voice students, ensemble members were able to pinpoint spots where a student singer needed help, and then suggest simple techniques to address the issue with immediate results. I expect we’ll hear some of these songs in a few weeks during the Conrad Art Song Competition on April 8. All of the ensemble singers who traveled to Bowling Green – Shaw and founder and conductor Brad Wells were not able to make the residency – answered questions from students and faculty. They offered advice about preparing for performances – as contradictory as one would expect from a group of individuals with different experience – and the necessity of solid theoretical grounding, on which there was unanimity. Learn to sight sing. They talked about life on the road and the intersection of early and new music,…


Quince’s advocacy for a place in new music for female voices bears fruit

By DAVID DUPONT BG Independent News For three members of Quince Contemporary Vocal Ensemble, the concert on Monday at Bowling Green State University is a homecoming. The ensemble got its start here when three members met. Amanda DeBoer Bartlett, Liz Pearse and Kayleigh Butcher studied with Jane Schoonmaker Rodgers in the College of Musical Arts as graduate students. Carrie Henneman Shaw is the fourth member of the ensemble. Fittingly their concert will be devoted to a single work “Love fail” by David Lang. They met the composer when he visited BGSU as the guest composer at the New Music Festival on campus.in 2011. The free Music on the Forefront concert will be Monday, Feb. 27, in Bryan Recital Hall in the Moore Musical Arts Center. The hour-long piece is more than four women singing. They break into duos and trios, said Kayleigh Butcher, and each has a solo. They also are called on to play percussion and she even blows on  a conch shell. “Love fail,” was originally written for the early music group Anonymous 4. Since that venerable ensemble has retired, “we’ve taken up the reins,” Butcher said. The piece with text written by Lydia Davis revisits the myth of doomed lovers Tristan and Isolde. This will be a concert version of the piece, though Quince traveled with Lang to the Kody Festival in Lublin Poland last year to perform a theatrical production. “Love fail” is a haunting, spacious piece full of resonant dissonances and echoes of ancient chant. “Love fail” is one of the rare pieces for women’s voices in contemporary music. The desire to promote chamber music for the female voice inspired the formation of the ensemble at BGSU in 2009. BGSU is known as a Midwest hub music activity. “But we noticed there wasn’t a lot of avenues without starting it ourselves,” Butcher said. “Amanda and I wanted it to be an all-women’s group because there’s not a lot of that in the contemporary music world.” Voice is used as a solo instrument, and in small ensembles with instruments. “We started it as just a way for us to have a contemporary music outlet,” Butcher said. “There’s nothing more fun than a one-on-a-part chamber music setting with all women. Initially the ensemble started with five voices, hence the name Quince. By the time it settled into a quartet it was established enough that the name stuck,…


Soloists & orchestra are up to the task of challenging concerto concert program

By DAVID DUPONT BG Independent News The soloists in Saturday’s concerto competition didn’t make it easy for their fellow students in The Bowling Green Philharmonia. Flutist Kenneth Cox said the orchestra parts have more notes than his solo part. And the solo part in Joan Tower’s Flute Concerto has plenty of notes jammed into its measures. Cox, who studies in the Bowling Green State University College of Musical Arts doctorate in contemporary music program, executes them with aplomb with the orchestra keeping pace. Michelle Whitmore said she’s heard from some orchestra members about some of the unusual sounds the score of her piece requires of them. But that’s what they should expect when the piece is John Corigliano’s “The Pied Piper Fantasy,” and they get to be the rats. Whitmore gets to make her entrance strolling through the orchestra. The program is no stroll in the park for the orchestra. Emily Freeman Brown said this was the most difficult concerto concert set the Philharmonia has tackled. And they’ve risen to the challenge. Tonight (Saturday, Feb. 25) at 8 p.m. in Kobacker Hall in the Moore Musical Arts Center on the Bowling Green State University campus the Philharmonia will perform with the four winners of last December’ 50th Competition in Musical performance. Tickets are $10. Beside Cox and Whitmore, those performing will be junior Stephen Dubetz on clarinet performing Stephen Hartke’s Clarinet Concerto “Landscape in Blue” and graduate student Peisi Luo soloing on Maurice Ravel’s Piano Concerto for left hand. Each earned the honor of soloing with the orchestra by coming out on top of competition with 69 of the best musicians in the college. For Whitmore, a senior performance major, this was the first chance to solo with an orchestra. The experience, she said, is at once “terrifying” but also “really, really exciting to hear the different textures.” She has loved the piece since she was a freshman and heard another flutist play it. She was impressed by its theatricality. Whitmore decided she wanted to learn the piece when she was “good enough.” Now she’s contemplating continuing her flute studies in graduate school. She’s auditioned and is awaiting the results. So far she’s been accepted by the Royal College of Music in London. As a child flute was not her first choice of instrument. Originally she wanted to play drums, but her family vetoed that. So she played a friend’s flute…


BGSU arts events through March 3

Feb. 23—The Creative Writing Program’s Reading Series features visiting writer Callista Buchen. The BGSU MFA alumna and author of chapbooks “The Bloody Planet” and “Double-Mouthed” will share her work. The reading will begin at 7:30 p.m.in Prout Chapel. Free Feb. 23 – The Department of Theatre and Film presents the second week of performances of “The Penelopiad,” Margaret Atwood’s version of Homer’s “Odyssey” told through the voices of Penelope and her 12 hanged maids. Speaking from beyond the grave, Atwood’s characters explore this mythic tale of love, betrayal, responsibility, and power. The performance begins at 8 p.m. in the Eva Marie Saint Theatre, Wolfe Center for the Arts. Tickets are available at bgsu.edu/arts, 419-372-8171 or at the Wolfe Center Box Office, and cost $5 for students and $15 for adults in advance, and $20 for everyone on the day of the performance. Additional performances are at 8 p.m. Feb. 24 and at 2 p.m. and 8 p.m. Feb. 25. Feb. 23 – The Hansen Musical Arts Series features the Grammy-winning ensemble Roomful of Teeth. Through study with masters from singing traditions the world over, the eight-voice ensemble continually expands its vocabulary of singing techniques and, through an ongoing commissioning process, forges a new repertoire without borders. The recital will begin at 8 p.m. in Kobacker Hall of the Moore Musical Arts Center. Free Feb. 25 – The BG Philharmonia celebrates the 50th annual Concerto Concert. The performance will begin at 8 p.m. in Kobacker Hall of Moore Musical Arts Center. Advance tickets are $3 for students and children and $7 for adults. Tickets can be purchased at the box office in the Wolfe Center, at 419-372-8171, or online at www.bgsu.edu/the-arts. All tickets the day of the performance are $10. Feb. 27 – Music at the Forefront features the Quince Vocal Ensemble. Described as “a new force of vocal excellence and innovation” by The Brooklyn Rail, Quince continually pushes the boundaries of traditional vocal ensemble literature. The group will perform David Lang’s “Love Fail.” The concert will begin at 8 p.m. in Bryan Recital Hall of the Moore Musical Arts Center. Free Feb. 28 – Tuesdays at the Gish continues with the 1974 film “From These Roots,” directed by William Greaves. Recipient of 22 international awards, this film explores the extraordinary artistic, cultural and political flowering that took place in Harlem during the Roaring 20s. This remarkable portrait of the “Harlem Renaissance” is…


Community bands ready to spread sunshine “In the Bleak Midwinter”

Submittted by BOWLING GREEN AREA COMMUNITY BANDS Warm sounds and brightly shining talent highlight the next Bowling Green Area Community Bands’ concert. Entitled In The Bleak Midwinter, also the title of a 19th century carol known for its themes of hope and strive, the local ensembles are offering popular song, traditional concert marches and symphonic masterworks that embody those ideas. The Sunday, Feb. 26 concert begins at 4 p.m. in the Bowling Green Area Schools’ Performing Arts Center. Conductors for this performance are Thomas, R. Headley and William E. Lake. Opening the performance with the “Star Spangled Banner”, the Concert Band performs two challenging and diverse pieces, including a new transcription for the modern concert band. The Lt. Kije’ Suite, one of the most performed pieces by Russian composer Serge Prokofiev, was the orchestral score of a satirical film from the early days of the Soviet Union. Prokofiev’s life spanned much political strife, including the fall of the Russian Czar, both World Wars and the rise of the Communist party. Despite the political tensions, the Lt. Kije’ story contains elements of farce, humor and hope. The Concert Band will perform the five-movement suite in its entirety, in a new arrangement by Jose’ Schuyns. Concert Band Assistant Director Catherine Lewis is featured as the bassoon soloist on the Concertino for Bassoon by Julius Fucik.  Fucik, a Czeck composer, was himself a bassoonist and band conductor. Today he is best known for two marches, “The Florentiner” and “Entry of the Gladiators”.  “Gladiators”, also known as “Thunder and Blazes” is the upbeat tune often used in circuses to announce the arrival of the clowns.  The Concertino for Bassoon is a similarly joyful piece, while showcasing the virtuosity of the soloist. Lewis, retired Director of Bands for Fremont City Schools, has performed previously as a soloist with the North Coast Concert Band, the Hixon Dance Company and various chamber ensembles. Shemaint ains an active role in music education, serving as a school consultant around Ohio. During the past year, she appeared at 25 different schools, guest conducting, leading clinics and teaching small group lessons. Also an award-winning quilter, Catherine participates in art shows throughout the region.  She created and conducted the March 2016 BGACB art-themed concert, Music Paints a Picture. Continuing the hopeful, up-beat theme the BG BiG Band will perform “Unit 7”, “I Remember Clifford” and “Manteca”. All three tunes are associated with artists who sported…


BGSU arts events through March 1

From BGSI OFFICE OF MARKETING & COMMUNICATIONS Feb. 16—The Creative Writing Program’s Reading Series features graduate students Bridget Adams and Benji Katz. The reading will begin at 7:30 p.m. in Prout Chapel. Free Feb. 16—The Department of Theatre and Film’s production of “The Penelopiad” will open at 8 p.m. in the Eva Marie Saint Theatre at the Wolfe Center for the Arts. “The Penelopiad” is Margaret Atwood’s version of Homer’s “Odyssey” told through the voices of Penelope and her 12 hanged maids. Speaking from beyond the grave, Atwood’s characters explore this mythic tale of love, betrayal, responsibility and power. Additional performances are at 8 p.m. Feb. 16-18 and Feb. 23-25, with matinees at 2 p.m. on Feb. 18, 19 and 25. Advance tickets are $15 and can be purchased at the box office in the Wolfe Center, 419-372-8171 or online at www.bgsu.edu/arts. All seats the day of the performance are $20. (See story: http://bgindependentmedia.org/bgsus-the-penelopiad-shows-the-tragedy-on-the-ancient-greek-homefront/) Feb. 17—The Brown Bag Music Series will present a musical extravaganza in celebration of Black History Month. Students and faculty from the College of Musical Arts will perform starting at 11:45 a.m. at the Simpson Building, 1291 Conneaut Ave., Bowling Green. Free Feb. 17—The BGSU Wind Symphony will perform at 8 p.m. in Kobacker Hall of the Moore Musical Arts Center. Advance tickets are $7 and can be purchased at the Wolfe Center for the Arts box office, 419-372-8171 or online at www.bgsu.edu/arts. All seats are $10 the day of the performance. Feb. 18—The University and Concert Bands will perform at 8 p.m. in Kobacker Hall of the Moore Musical Arts Center. Advance tickets are $7 and can be purchased at the Wolfe Center for the Arts box office, 419-372-8171, or online at www.bgsu.edu/arts. All seats are $10 the day of the performance. Through Feb. 20—The annual Undergraduate Art and Design Exhibition will be on display in the Dorothy Uber Bryan and Willard Wankelman in the Fine Arts Center. Gallery hours are from 11 a.m.­-4 p.m. Tuesday through Saturday, 6-9 p.m. Thursdays and 1-4 p.m. Sundays. Free Feb. 21 – Tuesdays at the Gish continues with the 2001 film “Ralph Bunche: An American Odyssey,” directed by William Greaves. Narrated by Sidney Poitier, the film represents the first in-depth documentary on the life and legacy of this American legend. Dr. Ralph Johnson Bunche (1903-71) was a statesman, peace negotiator, leading intellectual, scholar and the first person of color to win…


Roomful of Teeth brings sound of world’s many voices to BGSU

By DAVID DUPONT BG Independent News Roomful of Teeth is an ensemble of eight voices that creates world of sound. They were pulled together in 2009 by choral conductor and composer Brad Wells who was interested in expanding the potential of the human voice, said mezzo-soprano Virginia Warnken. After auditions in New York City, the eight singers convened at the Massachusetts Museum of Contemporary Art, in North Adams, Massachusetts, where they delved into a range of vocal techniques – yodeling, Broadway belting, and throat singing, both Mongolian and Inuit, to name a few. They have worked those techniques into a distinctive sound that inspired a Pulitzer Prize winning composition, “Partita for 8 Voices” by ensemble member Caroline Shaw and been captured on a Grammy-winning album. Roomful of Teeth will bring their globally influenced sound to Bowling Green State University Feb. 22 and 23 as the Hansen Musical Arts Series featured artist. The ensemble’s residency will culminate in a free concert Thursday, Feb. 23, at 8 p.m. in Kobacker Hall. The ensemble will also present a voice master class, Feb. 22 from 4:30-6 p.m. in the Conrad Choral Room at the Wolfe Center for the Arts and discuss writing for the voice with student composers that evening from 7:30-9 p.m. in Kobacker. The members will participate in a panel discussion Feb. 23 from 10:30-11:30 p.m. also in Kobacker. Having incorporated these disparate techniques along with traditional Western chorale sounds, the ensemble then commissioned composers to write pieces for them. “It was really exciting. None of us knew what would happened,” Warnken said. What happened was Roomful of Teeth established itself as one of the premier new music ensembles in the world.  “I don’t think any of us thought it would become this big.” Most of what they perform is the result of a close collaboration with the composer, she said. Seldom do they simply receive a finished score that the singers have not seen in draft form. That’s essential given the mix of sounds the ensemble commands. “We’re definitely one of a kind.” That distinctive tonal palette is the result of intense study including the regular residencies at Mass MOCA. They don’t just go onto YouTube and look at a video or two to learn these techniques, Warnken said. They study with the masters of the genres. Like athletes learning a new sport, they find themselves exercising vocal muscles they hadn’t used…